Long before Mohsin Hamid startled us with The Reluctant Fundamentalist (how many of you have read his debut, Moth Smoke ? You should, though; it’s very fine), Kamila Shamsie acquired a following in India, and HM Naqvi made a flamboyant, unbuttoned debut, Aamer Hussein began to build a body of eloquent, understated, beautiful work. Read more
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This is, as with most things to do with this blog, selective and arbitrary. Given that we are in the second week of the last month of the last year of the decade known as the noughties, some stock taking is necessary. But I am terrible at taking stick, awful at anthologizing, because I feel guilty about leaving things out. Read more

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