When one of your favourite pieces of music becomes Muzak, piped into an elevator or played in the background at an airport, you can sometimes feel indignant. When I heard the Garcia-Hunter track, Crazy Fingers (off The Grateful Dead’s 1975 album, Blues for Allah) playing in a muted sort of way at an American airport, I was genuinely upset. I mean, come on, when we used to listen to that album it had to be in a darkened room, everybody had to be quiet and the use of additives was, well, let’s just say not actively discouraged. And here I was at a bustling JFK terminal and I could almost hear the late Jerome J Garcia’s voice going “Your rain falls like crazy fingers/ Peals of fragile thunder keeping time/Recall the days that still are to come some sing blue….” and so on. Only it wasn’t him singing but a synthesized, unreal sounding electronic tune of the song. Read more
There’s a 1999 three-disc album called Everything Is Nice: The Matador Records 10th Anniversary Anthology. If you like indie, alternative bands, you ought to own that album of 43 excellent tracks by a bunch of super talented bands and musicians. If you’re a die-hard indie fan, I’m sure you probably have the Matador anthology or, at least, have heard of it. If not, here’s a sneak peek at that 12-year-old album. Artists featured on the album include indie star acts like Pavement, Sonic Youth, Yo La Tengo, Cat Power and Modest Mouse but also lesser known bands such as Chavez, Bardo Pond, Solex and Khan.
When three bands that you like release their new albums on the same day, you have a problem of plenty and a difficult choice to make. So, on May 4, when The Hold Steady released Heaven is Whenever, The New Pornographers put out Together and Broken Social Scene popped out the curiously named Forgiveness Rock Record, their first album in five years, I went and bought digital versions of all three online. After some fretting over which one to listen to first, I chose Broken Social Scene. I was glad I did that. Read more
I have gushed before about The National’s Matt Berninger and his deep baritone voice and their songs with highly literate and intimate, if a bit self-absorbed, lyrics. The two albums of the Brooklyn-based band that I like—Alligator and Boxer—do routine overtime on my playlists. I like the sad (yet not soppy) undertone in many of their songs and the nice dose of intellectualism and wit. It would be fair enough to say The National is among my favourite bands.