Around 10 days back, my colleague in London mailed me a link with a short note that simply said “Yes they are back! And I can die in peace”. The link was to a lyric video (the kind where you can read the lyrics while listening to the song) of The Rolling Stones’ latest new single, Doom And Gloom. And the note from my colleague who’s obviously a huge Stones fan besides being an erstwhile (or, is he still one?) bass slapper himself, is an example of how much diehard Stones fans love the 50-year-old band. Read more
Sometime last year, when the Contrast Podcast, a weekly collaborative by a bunch of mp3 bloggers, first became irregular and then disappeared altogether, I felt like an addict who has been denied his fix. Contrast is a podcast that began in 2006 and every week, usually on a Tuesday, bloggers presented a theme which they spoke about and then presented songs relevant to that theme. It could be anything – from a body part (say, the brain) to something like Boiling and Steaming. Read more
I don’t know why but a lot of the indie bands that I like are Scottish. I like the nervous anxiety of Frightened Rabbit, the shoe-gazing, understated sound of The Twilight Sad, the post-rock experimentation of Mogwai, the lo-fi appeal of Meursault, the irreverent playfulness of Dogs Die in Hot Cars, the cute yet edgy music of Belle and Sebastian, the instantly likeable pop of Camera Obscura…. I could go on. There’s nothing really common between all the Scottish bands that I like. Alright, there is. I like the quirky accent that is common between many of the vocalists of these bands—notably, Frightened Rabbit’s Scott Hutchison and The Twilight Sad’s James Graham — but the music of each of these bands is not very similar.