Ever since iTunes opened up its store to customers in India, it has been bliss for me. I can now buy music at very reasonable prices – songs for as low as R12 and in some cases, even full albums for a dirt cheap R30. The opening up of the iTunes Store was the best thing to have happened for Indian music lovers but some of us, especially of the grey-haired (or, no-haired) vintage, the real deal is often all about buying the album in its physical, touchable form. There is a certain something about peeling off the plastic and opening up the jewel case of a new CD that digitally downloaded albums just can’t match. Read more

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You don’t realise how talented a guitarist and bluesman the young Texan, Gary Clark Jr., is till you are into the second song on his first major label album, Blak and Blue. That’s when you see the way he can wield the axe. That’s also when you begin realising why many people compare him to Jimi Hendrix. Clark can make his guitar scream and shriek and do things that take you back to the golden era of blues based guitar rock. He’s also the one of the few contemporary African American blues guitarists to have created a ripple. Most of those in the new wave of great blues guitarists have been white—at least my favourites are (Joe Bonamassa, Derek Trucks, Kenny Wayne Shepherd, Jack White, Dan Auerbach and so on). Read more

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Some bands you can only enjoy listening to them live. I’ve been listening to the Athens (Georgia) based American band, Of Montreal, for a while now. They have been around since the late 1990s and have nearly a dozen studio albums out. Their music is difficult to classify—and driven by frontman, singer and guitarist Kevin Barnes, they have fused and hopped genres as widely disparate as catchy indie pop, glam rock, experimental and psychedelic rock and deeply brooding lo-fi music. That last kind of music was what characterised Of Montreal’s 2007 album, Hissing Fauna, Are You the Destroyer?, a dark and very personal kind of work. I don’t know whether I was fortunate or otherwise that Hissing Fauna was the first album by the band that came my way. Read more

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I cannot put my finger on the exact year, but sometime in the mid-1970s my musical preferences got skewed towards the genre known as psychedelic rock. Perhaps it was just a function of the then prevailing zeitgeist—after all, it wasn’t too long after Woodstock had happened (although I must confess I was too little when it actually had) and the thick odours of flower-power, psychedelia and all of that still hung heavily in the air. Also, I had a precocious habit of hanging around with friends who were a bit older than me and who were already into psychedelic bands and their preferences rubbed on to me. Read more

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