Beginning with their first studio effort in 2007, Red Album, every LP by Baroness, the heavy metal band from Savannah in the US state of Georgia, is titled with the name of a colour. Their second album was called Blue Record; then came 2012’s Yellow & Green (it was a double album); and then, last month they released their latest, Purple. The colour thing for their album titles seems apt.
Baroness, as I said, are a heavy metal band – some music critics affix prefixes such as ‘stoner’, ‘alternative’ or ‘sludge’ to their genre but the fact is that they are a heavy metal band. And heavy metal bands are? Well, they are loud, deep sounding, aggressive, distortion-loving purveyors of music that is not necessarily associated with colour other than different shades of black. Dark and brooding is how the music played by most heavy metal bands can seem. But Baroness are different. Their music, even when it has all the required attributes of metal – loudness; heavy beats; and fierceness – is also vibrant and colourful.
Also watch: Baroness live at Saint Vitus Bar
On Yellow & Green, there are songs, such as Twinkler, which begins with a melodic acoustic guitar (albeit against the background of a mildly ominous sounding giant fly’s buzz); there are lyrics, such as those on March to the Sea, that can seem uncommon for a heavy metal band: There was a whisper/Once there were heralds and parades/ You sang your secrets through the tolling of the tide/ The fugitive rooms, the amateur tombs/ The silence and the cries/ The quickening beat/ Your march to the sea/ Never to return; and on Purple, their latest, there are guitar solos and drum lines, such as the one on The Iron Bell, which can make them sound like a southern jam band (albeit one that is probably amped up on speed and steroids).
Four years ago the future of Baroness may have seemed uncertain. The band, while touring the UK, met with an accident when its tour coach fell 30 feet, injuring most members of the band, two of them, the drummer and the bassist, very badly. Those two ultimately had to quit the band and to many it seemed that Baroness would never play again.
But the remaining members, including frontman and guitarist John Baizley, bounced back after spending months in recovery. And then came Purple. As is customary for the band, Baizley not only wrote the songs but also did the cover artwork for Purple, which, as it has always been for the band’s other albums, is gorgeous. Baizley’s artwork is influenced by the Art Nouveau style; it is intricate and decorative with a mythological theme (an aside: if you want to explore Baizley’s art, go to www.aperfectmonster.com).
Back to the music. In many ways, Purple, the first album by Baroness after the band’s accident, carries a sense of the trauma that the band members underwent. It is dark; it is heavy; and, while Baizley’s songs don’t directly refer to the incident, the mood captures it.
Yellow & Green was for me the most accessible heavy metal album I have heard. Its infectious melodic hooks, bright guitar solos and harmonised singing completely upturned my pre-conceived notions of a heavy metal band – much like another band, the black metal group Deafheaven had.
In contrast, Baroness’s first two albums were heavier, fitting the definition of the heavy metal genre better. Now, Purple takes another step in the evolution of the band: on this new album, the deep and loud sound is layered with melodies, guitar riffs and choruses – a perfect blend of the heavy and the light.
The late David Bowie’s last album is the only one of his albums that doesn’t have an image of him on the cover; instead it has a black star and that gives it its name, Blackstar. Bowie who died at 69 on January 10 after an 18-month-long battle with cancer was an itinerant experimenter – both with his music as well as his looks.
- The legend from Brixton: David Bowie’s last album, Blackstar, had the experimental singer fronting a jazz band, a perfect epitaph for a storied life. (Photo: Getty Images)
Those who’ve tracked Bowie’s brilliant career and his rapidly changing musical style – from art rock, glam rock, soul, funk, and electronic – will find that Bowie’s last album is a jazz album with the singer fronting a jazz band. A perfect epitaph for a storied life.
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Recommendation: If you haven’t watched the music critic and author Anthony DeCurtis’s more than an hour-long interview with Reed, there’s a link here.
For much of the last fortnight, I have been listening to Lou Reed’s music, re-exploring especially his and the Velvet Underground’s discography of the 1960s and early ’70s. But there’s been quite a bit of new music on my playlist too. Here’s a listing in no particular order. Read more
Around 10 days back, my colleague in London mailed me a link with a short note that simply said “Yes they are back! And I can die in peace”. The link was to a lyric video (the kind where you can read the lyrics while listening to the song) of The Rolling Stones’ latest new single, Doom And Gloom. And the note from my colleague who’s obviously a huge Stones fan besides being an erstwhile (or, is he still one?) bass slapper himself, is an example of how much diehard Stones fans love the 50-year-old band. Read more
Ever since The New York Times did a gushing story a couple of weeks back about his place, Emilio Vitolo’s phone hasn’t stopped ringing. Salubrious isn’t a word you’d use to describe New York’s East Houston Street around where it intersects with Mott Street. Neither would you call it tony or elegant. Far from it. There is a kind of perpetual pattern about the construction that happens to take place around the area. Large trucks, big men with hard hats, scaffoldings, and paint cans…. All of this is ubiquitous around that stretch of E Houston. Not exactly a place where you’d expect star musicians to hang out. Read more
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March has been a bonanza for fans of the band, Phish. For not only did these kings of the jam band scene reunite after breaking up nearly five years ago, for those who couldn’t make it to their three-day marathon concerts (the venue was at Hampton in the US state of Virginia, after all), they put up the three concerts, held on March 6, 7 and 8, in their entirety on the Internet for free downloads.. Read more